STFU and GFTO
Aug. 21st, 2013 07:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
greatbearI posted this video ages ago, but the original YouTube video was long taken down and there wasn't any replacements until late last year. Needless to say, I made sure to save my own local copy. This is Yes, playing "Parallels" from the album Going for the One. Unlike the finished product from the album, or the rather thin, early vocal rehearsal mix included in the recent Rhino reissue, this take shows the band playing the tune more as an energetic instrumental jam with Jon Andersen sitting out. Unlike the Rhino rehearsal/demo take, this one has the glorious church organ at Saint Martin's Church in Vevey, Switzerland, high in the mix. It also demonstrates, by Chris Squire's highly technical playing, this track was originally meant for inclusion in Squire's solo effort Fish Out of Water but was left out because he didn't feel it fit in with the overall style and feel of that record. I love the energy in the room, the guys are playing locked and tight, and "Parallels" takes on a different life as a pure instrumental.
Oh, how I wish the sound quality of this track were better. For its time, this track pushed the envelope a bit for studio recording by utilizing a bidirectional, high-fidelity stereo telephone link feed between St. Martin's and the studio (Mountain Studios, Montreux) to allow real time playing and recording of Rick Wakeman and the pipe organ while the rest of the band and the engineers did their thing in the studio. The resulting album track is a soaring treat for the ears, the organ serving as a constant backdrop for the harmonizing vocals and Steve Howe's practically airborne lead/rhythm guitar before taking the lead later in the song. Synths are cool and all, but you can't beat a bigass pipe organ for presence. I also kinda giggle at this video, since around the time this was recorded, I had about the same hair as Alan White (drums). And the same 'stache. Well, it was the '70s, after all.
This tune, repeated a few times as well as others were the backdrop to my day. It helped make the day better.
Oh, how I wish the sound quality of this track were better. For its time, this track pushed the envelope a bit for studio recording by utilizing a bidirectional, high-fidelity stereo telephone link feed between St. Martin's and the studio (Mountain Studios, Montreux) to allow real time playing and recording of Rick Wakeman and the pipe organ while the rest of the band and the engineers did their thing in the studio. The resulting album track is a soaring treat for the ears, the organ serving as a constant backdrop for the harmonizing vocals and Steve Howe's practically airborne lead/rhythm guitar before taking the lead later in the song. Synths are cool and all, but you can't beat a bigass pipe organ for presence. I also kinda giggle at this video, since around the time this was recorded, I had about the same hair as Alan White (drums). And the same 'stache. Well, it was the '70s, after all.
This tune, repeated a few times as well as others were the backdrop to my day. It helped make the day better.
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