greatbear: (yes)
I posted this video ages ago, but the original YouTube video was long taken down and there wasn't any replacements until late last year. Needless to say, I made sure to save my own local copy. This is Yes, playing "Parallels" from the album Going for the One. Unlike the finished product from the album, or the rather thin, early vocal rehearsal mix included in the recent Rhino reissue, this take shows the band playing the tune more as an energetic instrumental jam with Jon Andersen sitting out. Unlike the Rhino rehearsal/demo take, this one has the glorious church organ at Saint Martin's Church in Vevey, Switzerland, high in the mix. It also demonstrates, by Chris Squire's highly technical playing, this track was originally meant for inclusion in Squire's solo effort Fish Out of Water but was left out because he didn't feel it fit in with the overall style and feel of that record. I love the energy in the room, the guys are playing locked and tight, and "Parallels" takes on a different life as a pure instrumental.



Oh, how I wish the sound quality of this track were better. For its time, this track pushed the envelope a bit for studio recording by utilizing a bidirectional, high-fidelity stereo telephone link feed between St. Martin's and the studio (Mountain Studios, Montreux) to allow real time playing and recording of Rick Wakeman and the pipe organ while the rest of the band and the engineers did their thing in the studio. The resulting album track is a soaring treat for the ears, the organ serving as a constant backdrop for the harmonizing vocals and Steve Howe's practically airborne lead/rhythm guitar before taking the lead later in the song. Synths are cool and all, but you can't beat a bigass pipe organ for presence. I also kinda giggle at this video, since around the time this was recorded, I had about the same hair as Alan White (drums). And the same 'stache. Well, it was the '70s, after all.

This tune, repeated a few times as well as others were the backdrop to my day. It helped make the day better.
greatbear: (mad rushin')
Last night was a chance at something different here at Mayhem Acres, especially for Jeff. He had tix to see Dream Theater in DC, playing at the Warner Theater. Jeff got home and napped a bit, we had a quick dinner and then headed into DC. After cussing the usual DC traffic lights and cabbies, a trip around the Obama's place, I popped into the parking garage, found the perfect Mini Cooper-sized parking spot no one else could use (the Smart ForTwo nearby was hogging a full-sized spot all to himself) and we headed in. From leaving the house to getting our butts into the seats we experienced probably the most hassle-free trip to see a show in, like, forever.

One has to consider that I had snatched Jeff from rural Pennsylvania almost 11 years ago, a shy, country music-loving, Republican-raised and exceedingly polite country boy, and I have, well, been corrupting him ever since. Now, I know what Jeff is most likely to enjoy outside of his usual tastes, and, truth be told, he's a little bit more rock-n-roll than he will let on at times. He likes Rush a lot, gets into a lot of the prog and metal stuff that wafts around these parts, and most of the Dream Theater stuff he's listened to he really liked. The only fly in this particular ointment was the opening act, a thrash outfit called "Trivium." Now, don't get me wrong, I loves me all kinds of metal, but the stuff that consists mostly of pissed-off Cookie Monster growling and blast beats does not rank that high. Jeff, on the other hand is like, "what are you getting me into here?" Anyway, the band got on stage, and once they got into their schtick, the two of us were laughing our asses off. I was showing Jeff how to make Dio Fingers and when to present them. We made it through the headbanger session and enjoyed Dream Theater, complete with their new drummer, Mike Mangini. Sadly, we cut out a little early to beat traffic because Jeff was spent from being on his feet since 4am and would have to repeat the same the next morning. A quick scoot home where I poured him into bed ended our diversion for the month. It would have been easier if the show was not running so late. I guess we are both getting old.

One thing for sure, I need to take in more metal concerts. My tinnitis, an often annoying condition that spoils my enjoyment of music (and sound in general) get not only blasted away, but in the peace and quit of Mayhem after Midnight, I could hear so many tiny sounds around the house normally masked by the racket. Completely counter-intuitive. I guess it's the same as taking an old musclecar out of the garage and blowing the carbon out while having some fun.

We can rack up the Warner Theater as another good venue to see various shows. Small place, classical theater architecture, wonderful staff. Tomorrow they play host to Weird Al Yankovic. There's someone that's probably a blast to see live.
greatbear: (forearms)
While perusing YouTube vids looking for concert footage and videos of some of my favorite bands, I ran across this gem from Yes, apparently part of the sessions that would become the album Going For The One. It's the song "Parallels", but without the vocals added yet. It's got some flubs here and there, the mix is a bit off but overall the band is tight, and Squire's bass playing (On a Fender Jazz bass instead of his usual Rickenbacher!) is off the hook:



Alan White is having the time of his life by the look on his face. There's an energy in the room for sure, and I feel lucky to have found this little gem on the net. The song works so well as an instrumental. These are popping up all the time these days, as people share their little rarities. Hopefully they dont get shut down by overzealous record companies.
greatbear: (forearms)
Here's something for prog-rock aficionados as well as detractors. A pictorial study of 18 of the most outlandish progressive rock album covers. While some of the commentary is decidedly mean-spirited, in some cases it's not that far from the truth. My main reason for posting this is because I have a personal connection to one of the bands represented here. Kudos to anyone who can figure it out.
greatbear: (big beard)
This may or may not tag me as a 'musician'.

My 'ex', Kit Watkins, has just released his latest CD "SkyZone", a collection of ambient/experimental/meditative music previously unreleased on his other works. Included among the tracks is a piece that we did as a jam one night, "Harmonic Hum". This has me with a guitar, my ebow, lots of reverb along with Kit on keys and his new-at-the-time Yamaha fretless bass. The track resembles something Steve Roach might have come up with. Anyway, this one recording of us managed to find it's way out of the dustbin of obscurity and into a released CD. I forgot how flowing and dreamy the piece was.

I guess I really should dust off the axes here and try playing again. My increasingly stiff fingers keep telling me otherwise. Oh well. At least in terms of obscure progressive music, I have gained a point in street cred.

Go me!

(Kit's website is set to randomly play songs from SkyZone. "Harmonic Hum" is in the rotation. You can click the button on the upper right of the frame to turn off the music then turn it back on again, repeating the process until the track shows up. Better yet, leave it play, turn it up a bit, and relax.)

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Phil

December 2016

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