greatbear: (Default)
The US Copyright Office has made some "adjustments" to the Digital Millennium Copyright Act, that heinous piece of ill-conceived legislature that favors increasing the bottom-line of the big corporate interests that had too much of a hand in helping write the law, against the the end users of various content. The Library of Congress, which oversees the Copyright Office, reviews and authorizes exemptions every three years to ensure that the law does not prevent certain non-infringing use of copyright-protected material.


This has the potential to be huge. And you better believe that those aforementioned big corporate interests are going to fight it tooth and nail. Among other things, the revisions allow end users to:

  • "Jailbreak" their smartphones to allow code and apps obtained from any legal source (third party apps in iPhone, for example, not obtained through the iTunes store, for example),


  • Let researchers, educators and the like to circumvent the copy controls on digital media such as DVDs to include fair-use short clips of content for educational and other uses,


  • Allows opening up digital media for alternative delivery means, i.e., allows another wise locked-in e-book title to me used by services and applications that allow reading by visually impaired people, or to allow text-to-speech on otherwise read-only titles,


  • Allows people to break the usage and copy controls placed on software that use a dongle or other means to restrict copying and allows operation only on the dongle-equipped computer if the software is obsolete and the dongle cannot be replaced.


These points have been a sore spot among users of digital content ever since the incorporation of the DCMA, and easing these restrictions go a long way toward allowing the use of content on legally owned devices, without constantly re-paying for the same content or running afoul of laws when trying to use tools and applications otherwise abandoned by their creators. These exemptions should have been in place at the beginning, and hopefully this will lead to an ability to use digital content the same way we've been able to use their respective physical versions.

Finally, some help for the little guys. More info can be found here.
greatbear: (fuzzy)
A large number of people on my friends list are serious music fans, musicians and DJs (why is that?). A court case I've been following might be of interest to some of you. A judge has determined that a record label can not stop the sale of "promotional" recorded works (CDs, vinyl, etc) by the people who originally received those items. The labels defense had been the promo materials, being given away rather than sold, were 'licensed' to the recipients and that those recipients did not actually 'own' the items. By attempting to sell the materials, the seller was committing 'copyright infringement' by violating the license agreement, and the labels halted the sales and auctions by invoking the beloved DMCA.

Music companies have long tried to stop the sale of used records and CDs, but time and time again were thwarted by something known as the "First Sale Doctrine" which basically states that once an item is purchased, one has the right to re-sell that item. Unless a contract was signed stating otherwise, there is nothing the primary seller can do to stop subsequent sales of a particular item. Promotional materials have long held a high collector value and can bring big bucks for sellers of those sorts of items. While a music company might snarl at the prospect of someone re-selling a CD that they had purchased because the sale brought in no more profit for the company, these companies have historically been in a tizzy over the market for promo material given away at their own cost. By waving the DMCA around these companies figured they had found a convenient tool to work their bidding. Instead, a level-headed judge proved that the promo stuff fell under the rights of first sale despite being free, and the similar area of law that states a party can't hand out unsolicited items to people then expecting payment of some sort. The CDs were considered 'gifts' and once out of their hands, the labels had no more say in how they were to be used.

Wonderful! Finally here is a definitive, pro-consumer ruling that has some pretty big implications for the future and helps protect individuals and organizations from draconian abuse from corporations bent on having final say on what we as consumers can or cannot do with products we buy, even after the sale.

I know a couple of my dear readers had encountered this sort of issue when trying to sell on eBay some promo stuff only to have it continually shut down. Maybe now you can tell 'em to go pound sand. And now your friendly local used record store can breathe a bit easier too.
greatbear: (fuzzy)
I'm posting this picture simply to piss off Prince's 98 pound ass.



I'm sorry, but any respect I had for this little twerp has gone out the window. It's one thing to want to have control of one's copyrighted images and silly symbols. After all, no one wants to see unauthorized posters and swag for sale, etc. That's the letter of copyright law. It is, however, something completely filled with asshattery to demand that fan sites, personal webpages and the like be scrubbed of all such imagery, including personal photos and other user-generated content that give passing resemblance. To do as such is essentially waging war with your own rabid fan base.

What's that old saying about biting the hand that feeds you? Go on ahead, Mr. Nelson. Send out the legal hounds to purge the internet of every single instance of 'your property' being used by fans in noncommercial, fair-use situations. You will soon be ridiculed and relegated to the cutout bin of relevance. After all, I'm sure that the YouTube clip of the dancing baby with "Lets Go Crazy" barely audible in the background has caused a marked decrease in CD sales and eroded control of your work.

And to think I used to enjoy music.
greatbear: (pirate bay)
Well, it seems the music industry thinks it can shake down our Canadian friends upstairs a hell of a lot more than they are doing already. For years, Canadians have 'enjoyed' paying a 21 cent 'tax' (actually a 'levy') on each blank CD-R disk purchased, whether or not that disk is used to store music. Disks designed to store music data ("Music CD-Rs" and MiniDiscs) carry a 77 cent tariff. That's about to change, and expand, if a proposal by the Canadian Private Copying Collective (CPCC) becomes law. In addition to raising the current tariffs, the new law would attach a hefty levy to flash media according to capacity, and some whopping fees onto MP3 players, topping out at $75 bux for a player with 30 gigs or more of storage.



As far as I see it, this 'levy', which is meant to compensate artists for their work (and to date I think has not contributed one red cent to anyone but industry lawyers) should now give carte blanche to everyone up in the Great White North to download, trade and share music via any means possible with full blessings of the industry. Artists be damned, go forth and fill those iPods up. After all it was Universal Media Group CEO Doug Morris who exclaimed last year, "These devices are just repositories for stolen music, and they all know it.". Makes you just want to give up buying music forever, doesnt it?

More info can be found here.
Proposal can be viewed here (.pdf)
greatbear: (march of the pirates)
I read here that Hollywood claims that 50 percent of all pirated movies originate from Canada. Reasons given for this vary from the Canadian copyright laws being too lax, to the multilingual releases found in Montreal and Quebec having a broader demand worldwide. Movie industry types complain that "internal policies of police forces including the RCMP, make it extremely difficult for them to crack down on movie piracy".

I am assuming that Canadian theatregoers would not appreciate those broad-brimmed RCMP hats blocking their view of the screen, and the horses would be a distracting and wanting popcorn handouts.

Jesus T. Cruise, people. While I am all for artists and performers as well as their industries and backers getting what is due to them, I see their 'war on piracy' to be about as effective as the dubious 'war on drugs'. Quite often the source of pirated movies come not from the camcordered tapes from theatergoers, but quite often are DVD 'screeners' sent out to reviewers and industry types. In short, their own back yard. What truly gets me, especially in the U.S., is how much the industry coddles up to the government to created draconian laws for minor infractions and uses the notion of fighting piracy as a caliper to quietly push for regulations and technical measures designed solely to limit what honest, paying consumers can do with the media they own. At the rate things are going, one will have to charge admission to people other than direct family members who get invited over to their friend's homes for a movie night. These fees, of course, will have to be sent directly to the movie indsutries themselves to recover from 'lost revenue'.

Mark my words. Your TiVo will one day charge you to use the 'rewind' button.

This whole ordeal makes me wonder... Do Canadian pirates say "Aaarrrrrhhh" like 'standard' pirates do, or is it more like "Eeehhhhhhh...rrrrr"? ;)

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Phil

December 2016

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