greatbear: (march of the pirates)
I read here that Hollywood claims that 50 percent of all pirated movies originate from Canada. Reasons given for this vary from the Canadian copyright laws being too lax, to the multilingual releases found in Montreal and Quebec having a broader demand worldwide. Movie industry types complain that "internal policies of police forces including the RCMP, make it extremely difficult for them to crack down on movie piracy".

I am assuming that Canadian theatregoers would not appreciate those broad-brimmed RCMP hats blocking their view of the screen, and the horses would be a distracting and wanting popcorn handouts.

Jesus T. Cruise, people. While I am all for artists and performers as well as their industries and backers getting what is due to them, I see their 'war on piracy' to be about as effective as the dubious 'war on drugs'. Quite often the source of pirated movies come not from the camcordered tapes from theatergoers, but quite often are DVD 'screeners' sent out to reviewers and industry types. In short, their own back yard. What truly gets me, especially in the U.S., is how much the industry coddles up to the government to created draconian laws for minor infractions and uses the notion of fighting piracy as a caliper to quietly push for regulations and technical measures designed solely to limit what honest, paying consumers can do with the media they own. At the rate things are going, one will have to charge admission to people other than direct family members who get invited over to their friend's homes for a movie night. These fees, of course, will have to be sent directly to the movie indsutries themselves to recover from 'lost revenue'.

Mark my words. Your TiVo will one day charge you to use the 'rewind' button.

This whole ordeal makes me wonder... Do Canadian pirates say "Aaarrrrrhhh" like 'standard' pirates do, or is it more like "Eeehhhhhhh...rrrrr"? ;)
greatbear: (Default)
(My third installment of an ongoing series of articles where I have been exploring the changing nature of the music business, your ability to enjoy music without restrictions and how the former has been increasingly chipping away at the latter.)

Read on )
greatbear: (Default)
(This is part two in my multipart article discussing the changing landscape of the music industry and what it means for the listeners, the artists, and the recording industry itself. While I am no expert in the field, I've been an avid listener since a very young age, and I have been at least partially involved with most aspects of the process that gets music from an idea to your ears (performance, recording, engineering, radio, mastering, etc). I can look at this issue from every perspective. The thing is, I have my own opinions, many of which are being expressed in this series. I hope it's been entertaining, enlightening and not too boring.)

Part two )
greatbear: (Default)
(What follows is part one of my first article dealing with music, movies, your rights to enjoy them and how you enjoy them. These rights are being stripped away at an increasing rate, being replaced with additional costs and aggravation, needless upgrades and damaged or non-functioning equipment. It's a long read, being placed behind a cut for courtesy. I hope those who read this can learn something, and will help them make informed decisions regarding how they spend their money on some of their most favorite entertainment)

Read on )

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Phil

December 2016

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